![]() I’m afraid the opening acts, Short Avenue and Three Quarter Stone, were a definite mismatch. I’m just saying, it might have been easier for casual prog listeners (if such a creature exists) to stumble upon the show at, say, the Opera House downtown. Not that the venue wasn’t clean and well set-up, but at Eglington and Danforth it’s pretty much in the middle of nowhere and attached to a strip club. I couldn’t help but think, upon arrival at the Rockpile East, that this venue was perhaps not the kind of place where this band should be playing. ![]() Let’s get the negative stuff out of the way first. Unfortunately, complications arose and the band were unable to play the originally announced show, but they finally were able to grace us in May 2014. I still can’t get enough of the bloody thing! When the first tour dates were announced, I quickly grabbed tickets to their first Toronto show. The album, a science fiction-laced progressive masterpiece, is among this writer’s favourite albums of all time. The first official line-up included Collins, Kelly Nordstrom (guitar, bass), Matt Dorsey (bass, guitar), and Dave Kerzner (keyboards).ĭimensionaut was released spring 2013. Although formed through sessions for vocalist/drummer Simon Collins’ third solo album, Sound of Contact came to be a band of its own shortly after. Just a word of warning for those of you who haven’t been following me since my wonderful run with Wave Maker Magazine: there’s one hell of a bromance going on in myself for progressive rock band Sound of Contact’s debut album Dimensionaut.
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